(KS), Brubeck (p), Paul Desmond (as), Eugene Wright (b) and Joe Morello (d). “Film dictates untypical construction,” Stanko has recalled. Equal partners, they sustained a musical dialogue on selection after selection that has rarely been equalled within the earshot of a professional microphone, with the astonishingly inventive LaFaro perhaps meriting the sobriquet of senior partner at times, so dominant can he be. Today, the mere mention of jazz-rock prompts cries from establishment critics of “sell-out,” but if this is selling-out, then maybe they should consider another line of work. (KS), Feature: Such Sweet Thunder: inside Duke Ellington's literary world, Herman (cl, as, v) Sonny Berman, Pete Candoli, Conte Candoli, Shorty Rogers, Conrad Gozzo, Ernie Royal (t), Bill Harris (tb), Sam Marowitz, John LaPorta, Flip Phillips, Pete Mondello, Herbie Steward, Stan Getz, Zoot Sims, Serge Chaloff (reeds), Margie Hyams, Red Norvo (vb), Ralph Burns, Jimmy Rowles (p), Billy Bauer, Chuck Wayne (g), Chubby Jackson (b), Dave Tough and Don Lamond (d). And if there were a god, I think it very unlikely that he would have such an uneasy vanity as to be offended by those who doubt His existence - Russell. 1956, Was Sonny Rollins ready in 1956? (BP), Miles Davis (t), Lee Konitz (as), Gerry Mulligan (bar s), JJ Johnson (tb), Kai Winding (tb), Junior Collins (Fr hn), Gunther Schuller (Fr hn), Sandy Siegelstein (Fr hn), Billy Barber (tba), John Barber (tba), Nelson Boyd (b), Joe Shulman (b), Al McKibbon (b), Al Haig (p), John Lewis (p), Kenny Clarke (d),  Max Roach (d), Gil Evans (arr), Johnny Carisi (arr) and Kenny Hagood (v). Intensity, meaning and space are essential to understanding what is probably the most misunderstood approach to jazz improvisation. These heady cosmic grooves fed the creative fire of anyone from Roy Ayers to Lonnie Liston Smith in the 1970s and inspired the more discerning purveyors of pro-tools instrumental music such as The Cinematic Orchestra in the millennium. 1972, By the time he made this date, Corea had worked his way through a heavy avant-garde phase and out onto the sunlit plains of his own latin-based musical imagination. Rec. (KS), Joe Harriott (as), Kenny Wheeler (t), Pat Smythe (p), Coleridge Goode (b), Allan Ganley (d), John Mayer (vn, harpsichord), Chris Taylor (f), Diwan Motihar (sitar), Chandrahas Paiganka (tambura) and Keshan Sathe (tabla). 1965, Many maintain that Kirk never made the perfect album: if so, this one comes closer than any other, mostly because Elvin Jones is consistently lighting a fire under the quartet generally and Kirk in particular. A once-in-a-lifetime line up that makes the term “all-star” seem inadequate: trumpeter Davis, plus sax men John Coltrane and Cannonball Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. (BP), Fitzgerald (v) and the Buddy Bregman Orchestra. Held On The Tips Of Fingers twisted in digital trickery to a frontline of heavyweight tenor saxophonists, dazzling with folksy anthems such as ‘Bear Town’ or the drum ’n’ bass drenched ‘Fluffy’. Essentially the Miles Davis Quintet of the day with Hubbard pinch hitting for Davis (and playing as well as he would at any point of career) it contained two Hancock originals that would assume quickly the status of jazz standards. A later two-CD version combines much improved sound with the complete festival appearance, plus studio extras. Yet while the playing is exemplary, the choice of repertoire makes this album stand apart. His concept of Harmolodics is more arcane, though hardly less intuitive. The various CD versions of this set come in all manner of configurations, many with as much as five bonus tracks. Diana Krall (v, p), Russell Malone (g) and Christian McBride (b). (SN) Re-released on CD by Verve, For decades Tatum was every jazz pianist’s first choice as the greatest piano of all but by the early 1950s his public profile was still minute compared with some of his contemporaries. This one went even further – India threw open the floodgates to the east in jazz, while ‘Impressions’ is 14 minutes of solid gold inspiration from Trane and Elvin. Pine’s music was powerful, intense and in the tradition of the great tenor saxophonists such as Coltrane and Rollins. Rec. Your Top 10 Jazz Albums of the 21st Century Welcome to Talk Classical - A community covering every aspect of classical music! (KS), Jan Johansson (p) and Georg Riedel (b). Herbie, of course, would do it without him a few months later on Maiden Voyage. (KS), Taylor (p), Jimmy Lyons (as) and Sunny Murray (d). It also points the way for those who follow. Rec. Strange new harmonies, polyrhythms, pantonality and extended composition – with Russell and Gil Evans, jazz just became a complete new zone of potentialities. With Bitches Brew the jazz-rock message was handed down from the mount on tablets of stone. (BP), Feature Thelonious Monk: essential recordings, Rollins (ts), Tommy Flanagan (p), Doug Watkins (b) and Max Roach (d). (SN), Ayler (ts), Gary Peacock (b) and Sunny Murray (d). The only thing certain about postmodernism is uncertainty, so we should pay attention to this music, because uncertainty in an uncertain world is shaping all of us. (KS), John Surman (bs, ss), John Warren (bs, f), Mike Osborne (as, cl), Alan Skidmore (ts, fl), Kenny Wheeler, Harry Beckett (t, flhn), John Taylor (p), Barre Phillips, Harry Miller (b), Alan Jackson and Stu Martin (d). More influential on the jazz community directly, on Miles, Coltrane and Oliver Nelson, than through its sales, this is the one that so many musicians still check out. The 100 Jazz Albums That Shook The World Monday, August 10, 2020 Not just another “greatest jazz albums” list of favourite recordings and biggest sellers but a fully annotated look at the albums that actually changed jazz, changed lives and brought the music kicking and screaming into the 21st century Miles was remarkably successful in marrying musical opposites: 20th century classical concepts such as harmonic simplicity, exotic scales and African rhythms all in a relaxed, swinging groove. (KS), Miles Davis (t), Wayne Shorter (ss), Bennie Maupin (b cl), Joe Zawinul, Chick Corea (el p), John McLaughlin (g), Dave Holland (b), Harvey Brooks (el b), Lenny White, Jack DeJohnette (d), Don Alias (perc) and Jumma Santos (shaker). This led to something of a temporary eclipse in his profile in the first half of the 1970s, although his creativity continued to diversify and deepen. Rec. Ashley Kahn, author of Kind of Blue: The Making of the Miles Davis Masterpiece, explains why Kind of Blue tops the list: How does one properly gauge impact? From the title track with Davis, Shorter and Maupin emerging from the matrix of the mix before being swallowed up by this swirling electrical brew, to ‘Miles Runs the Voodoo Down’ with the trumpeter on the heels of Hendrix, the sound of jazz was changed forever. (KS), Steve Coleman (as), Andy Milne (p, ky) David Gilmore (g), Reggie Washington (el b), Roy Hargrove (t), Josh Roseman (tb), Kenny Davis (b) and Junior “Gabu” Wedderburn (perc). That they had the assistance of such stars as Hodges, Williams, Bigard, Webster and Blanton only added to the music’s lustre: it remains an imperishable treasure. (KS), Wes Montgomery (g), Tommy Flanagan (p), Percy Heath (b) and Albert Heath (d). The great man himself knew that this album was a culmination rather than a new beginning, but that probably accounts for its consummate artistry as much as any other reason: Coltrane was the most thorough of players. Rec. Using just six players, Russell achieves wonderful orchestral textures within these 12 compositions, thanks partly to guitarist Galbraith, and introduces the world to modal jazz (and Bill Evans) en route. With Hawk, you can just about do it. (DH), Davis (t, flhn), orchestra and Gil Evans (cond, arr). Coming out of the universal consciousness of mentor John Coltrane and borrowing some of the celestial majesty of his widow Alice, Sanders gets modal-hymnal on the enduring ‘The Creator Has A Master Plan’ and dazzlingly abstract on ‘Colors’. 1997Where would female jazz vocals be today without Diana Krall? 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